Racial Stereotypes in the Icelandic Opera Daniel Roh skrifar 9. mars 2023 07:31 The state-funded Icelandic Opera has staged a production of “Madama Butterfly” from March 4- March 26. Written and composed by Puccini in 1904, this work centers around the relationship between a white US Naval officer and a 15-year old Japanese girl that he impregnates. The production has been received with vocal criticism by many Asian people living in Iceland. Their claims are that yellowface (the act of making white actors appear asian by means of wigs, make-up and costume) are harmful and perpetuate dangerous stereotypes. A production funded by the state should have no part in retelling a racist narrative. The conductor and stage-director/set-designer have replied and dismissed the possibility of any changes to repair the situation. Many of those that originally raised the alarm feel that the conductor and stage-designer are the wrong individuals to spearhead this controversial production. They lack the understanding and lived experience to address such complicated topics of racism in this regard.It is worth noting that to the author’s knowledge, no individuals on the Creative Team on this production are people of Asian descent. While it may be an odd approach, the author of this article would like to address the Icelandic Opera as an organization. “Dear Icelandic Opera Company, Hi! My name is Dan Roh. I’m a Korean-American stand-up comedian and a teacher here in Iceland. As an Asian person living in Iceland I have to let you know that your production of Madama Butterfly in its current form is upholding dangerous racial stereotypes. But you have the power to change that. So, you screwed up. We all screw up. A whole lot of your white actors were dressed up in Yellowface. They had pulled-up eyebrows, thin mustaches, and jet-black wigs. In a picture circling social media, they are seen squinting their eyes pretty hard while holding Japanese beer. Their dedication to the craft of acting is unmatched. Your conductor also seemed to suggest that the yellowface is not offensive as the actor playing the main role is a Korean woman. Although it is delightful to see a woman of color highlighted, the conductor’s hope that her “Koreanness” would transform the Icelandic actors into people of Japanese descent, has not, in fact, been realized. I do not blame the actors, especially the Korean singer. Actors need to work and the decision making power lies with others. Your stage director has replied and offered only justifications and no commitments to change. In my opinion, there are generally two options when you make this kind of mistake. Option one, you own up to it and try to make it right. Two, you refuse to apologize, you double-down, and you try to down-play and discredit those that you have hurt.In my personal opinion, here are some things that would be helpful in solving the situation. Take off the racist wigs, the degrading make-up and the funny little mustaches. Maybe tell your actors they don’t have to squint so much. Change the background or provide context to the audience before the show. Publicly apologize and make an official statement. By the way, leave out the phrase “for those we may have offended,” in the statement, please. You already have offended many people. Meet with Asians in Iceland and see how your decisions have hurt us. Listen to how dehumanizing and making costumes out of real people and cultures lends itself to othering of Asian people around the world and here in Iceland. Hold a forum for White Icelanders and explain context and the dangers of yellowface. The Creative Team of the Icelandic Opera’s “Madama Butterfly” have until now chosen option two. While disappointing, it is not wholly surprising. Now, to be perfectly serious. Performing yellowface in such a big production funded by the state is dangerous. Racism is real and present in everyday Iceland. If the state-funded Icelandic Opera is proud to display yellowface, would parents not feel more assured in dressing their children up in yellowface costumes for Oskudagur, or for dress-up days in High School? Make no mistake, these are racist actions. What you perform and display matters. These choices say that seeing Asian people as costumes and props is acceptable. The new generation of Asians in Iceland should not have to grow up with squinty eye jokes. Those jokes can lead to real harm and alienation. You can send a message that your organization does not condone this treatment of Asian Icelanders. So we’ll be at Harpa on Saturday with a couple signs. I might have a couple friends with me. There are three performances left, more than enough time to take off some wigs. Sincerely, Daniel Roh” The author is a teacher living in Iceland. Viltu birta grein á Vísi? Sendu okkur póst. Senda grein Íslenska óperan Kynþáttafordómar Leikhús Athugið. Vísir hvetur lesendur til að skiptast á skoðunum. Allar athugasemdir eru á ábyrgð þeirra er þær rita. Lesendur skulu halda sig við málefnalega og hófstillta umræðu og áskilur Vísir sér rétt til að fjarlægja ummæli og/eða umræðu sem fer út fyrir þau mörk. Vísir mun loka á aðgang þeirra sem tjá sig ekki undir eigin nafni eða gerast ítrekað brotlegir við ofangreindar umgengnisreglur. Mest lesið Hver skipaði bankaráði Landsbankans að kaupa TM? Ásthildur Lóa Þórsdóttir Skoðun Er þetta eðlilegt? Guðrún Árnadóttir,Guðrún Tara Sveinsdóttir,Hekla Kollmar,Þorgerður Jörundsdóttir Skoðun Bréf til þjóðarinnar Steinunn Ólína Þorsteinsdóttir Skoðun Foreldrar með börn í vímuefnaneyslu og úrræði Dagbjört Ósk Steindórsdóttir Skoðun Páskarnir - íhugunarhvatning Árni Stefán Árnason Skoðun Vikan með Gísla Árný Björg Blandon Skoðun Tónlist í gleði og sorg Sigurvin Lárus Jónsson Skoðun Markvissar aðgerðir munu skila árangri á húsnæðismarkaði Ágúst Bjarni Garðarsson Skoðun Skaðaminnkun, lækning, hroki og hleypidómar Guðbjörg Sveinsdóttir Skoðun Eftirliti með snyrtistofum ábótavant Halla Signý Kristjánsdóttir Skoðun Skoðun Skoðun Foreldrar með börn í vímuefnaneyslu og úrræði Dagbjört Ósk Steindórsdóttir skrifar Skoðun Páskarnir - íhugunarhvatning Árni Stefán Árnason skrifar Skoðun Aukinn kraftur með hækkandi sól Bragi Bjarnason skrifar Skoðun Tilbrigðin um enda lífsins Matthildur Björnsdóttir skrifar Skoðun Tónlist í gleði og sorg Sigurvin Lárus Jónsson skrifar Skoðun Eftirliti með snyrtistofum ábótavant Halla Signý Kristjánsdóttir skrifar Skoðun Markvissar aðgerðir munu skila árangri á húsnæðismarkaði Ágúst Bjarni Garðarsson skrifar Skoðun Bréf til þjóðarinnar Steinunn Ólína Þorsteinsdóttir skrifar Skoðun Einokunarmjólk? Hilmar Vilberg Gylfason skrifar Skoðun Má þjóðin ráða? Þorgerður Katrín Gunnarsdóttir skrifar Skoðun Formaður geðlækna illa áttaður? Vilhjálmur Hjálmarsson skrifar Skoðun Hver skipaði bankaráði Landsbankans að kaupa TM? Ásthildur Lóa Þórsdóttir skrifar Skoðun Að vera eða vera ekki í samkeppni við sjálfa sig Ólafur Stephensen skrifar Skoðun Engin námslán fyrir fátækt fólk Gísli Laufeyjarson Höskuldsson skrifar Skoðun Er þetta eðlilegt? Guðrún Árnadóttir,Guðrún Tara Sveinsdóttir,Hekla Kollmar,Þorgerður Jörundsdóttir skrifar Skoðun Stjórnmálin koma okkur öllum við Arnar Freyr Sigurðsson skrifar Skoðun Um tímabær áform ráðherra og ótímabært frumhlaup Viðskiptaráðs Jóna Hlíf Halldórsdóttir skrifar Skoðun Fríar máltíðir grunnskólabarna - merkur samfélagslegur áfangi Hólmfríður Jennýjar Árnadóttir skrifar Skoðun Heilbrigðisráðuneytið er með forystu Halla Signý Kristjánsdóttir skrifar Skoðun Skaðaminnkun, lækning, hroki og hleypidómar Guðbjörg Sveinsdóttir skrifar Skoðun Fyrirgefðu mér mín kæra Harpa Sævar Helgi Lárusson skrifar Skoðun Vikan með Gísla Árný Björg Blandon skrifar Skoðun Furðulegar verðlækkanir á mörkuðum Baldur Thorlacius skrifar Skoðun Varanlegt vopnahlé og sjálfstæð Palestína Kristrún Frostadóttir skrifar Skoðun Með of mikil völd Hjörtur J. Guðmundsson skrifar Skoðun Hvað ef það gýs nær höfuðborgarsvæðinu? Ingvi Gunnarsson,Sigrún Tómsdóttir,Hrefna Hallgrímsdóttir,Daði Hafþórsson skrifar Skoðun Er sniðugt að vera með tilgreinda séreign? Guðný Helga Lárusdóttir skrifar Skoðun Ekki þykjast ekki vita neitt Hjálmtýr Heiðdal skrifar Skoðun Athugasemdir við eignaumsýslu Landsbanka Íslands Þorsteinn Sæmundsson skrifar Skoðun Framsókn stendur með bændum og neytendum Hópur þingmanna Framsóknar skrifar Sjá meira
The state-funded Icelandic Opera has staged a production of “Madama Butterfly” from March 4- March 26. Written and composed by Puccini in 1904, this work centers around the relationship between a white US Naval officer and a 15-year old Japanese girl that he impregnates. The production has been received with vocal criticism by many Asian people living in Iceland. Their claims are that yellowface (the act of making white actors appear asian by means of wigs, make-up and costume) are harmful and perpetuate dangerous stereotypes. A production funded by the state should have no part in retelling a racist narrative. The conductor and stage-director/set-designer have replied and dismissed the possibility of any changes to repair the situation. Many of those that originally raised the alarm feel that the conductor and stage-designer are the wrong individuals to spearhead this controversial production. They lack the understanding and lived experience to address such complicated topics of racism in this regard.It is worth noting that to the author’s knowledge, no individuals on the Creative Team on this production are people of Asian descent. While it may be an odd approach, the author of this article would like to address the Icelandic Opera as an organization. “Dear Icelandic Opera Company, Hi! My name is Dan Roh. I’m a Korean-American stand-up comedian and a teacher here in Iceland. As an Asian person living in Iceland I have to let you know that your production of Madama Butterfly in its current form is upholding dangerous racial stereotypes. But you have the power to change that. So, you screwed up. We all screw up. A whole lot of your white actors were dressed up in Yellowface. They had pulled-up eyebrows, thin mustaches, and jet-black wigs. In a picture circling social media, they are seen squinting their eyes pretty hard while holding Japanese beer. Their dedication to the craft of acting is unmatched. Your conductor also seemed to suggest that the yellowface is not offensive as the actor playing the main role is a Korean woman. Although it is delightful to see a woman of color highlighted, the conductor’s hope that her “Koreanness” would transform the Icelandic actors into people of Japanese descent, has not, in fact, been realized. I do not blame the actors, especially the Korean singer. Actors need to work and the decision making power lies with others. Your stage director has replied and offered only justifications and no commitments to change. In my opinion, there are generally two options when you make this kind of mistake. Option one, you own up to it and try to make it right. Two, you refuse to apologize, you double-down, and you try to down-play and discredit those that you have hurt.In my personal opinion, here are some things that would be helpful in solving the situation. Take off the racist wigs, the degrading make-up and the funny little mustaches. Maybe tell your actors they don’t have to squint so much. Change the background or provide context to the audience before the show. Publicly apologize and make an official statement. By the way, leave out the phrase “for those we may have offended,” in the statement, please. You already have offended many people. Meet with Asians in Iceland and see how your decisions have hurt us. Listen to how dehumanizing and making costumes out of real people and cultures lends itself to othering of Asian people around the world and here in Iceland. Hold a forum for White Icelanders and explain context and the dangers of yellowface. The Creative Team of the Icelandic Opera’s “Madama Butterfly” have until now chosen option two. While disappointing, it is not wholly surprising. Now, to be perfectly serious. Performing yellowface in such a big production funded by the state is dangerous. Racism is real and present in everyday Iceland. If the state-funded Icelandic Opera is proud to display yellowface, would parents not feel more assured in dressing their children up in yellowface costumes for Oskudagur, or for dress-up days in High School? Make no mistake, these are racist actions. What you perform and display matters. These choices say that seeing Asian people as costumes and props is acceptable. The new generation of Asians in Iceland should not have to grow up with squinty eye jokes. Those jokes can lead to real harm and alienation. You can send a message that your organization does not condone this treatment of Asian Icelanders. So we’ll be at Harpa on Saturday with a couple signs. I might have a couple friends with me. There are three performances left, more than enough time to take off some wigs. Sincerely, Daniel Roh” The author is a teacher living in Iceland.
Er þetta eðlilegt? Guðrún Árnadóttir,Guðrún Tara Sveinsdóttir,Hekla Kollmar,Þorgerður Jörundsdóttir Skoðun
Skoðun Er þetta eðlilegt? Guðrún Árnadóttir,Guðrún Tara Sveinsdóttir,Hekla Kollmar,Þorgerður Jörundsdóttir skrifar
Skoðun Um tímabær áform ráðherra og ótímabært frumhlaup Viðskiptaráðs Jóna Hlíf Halldórsdóttir skrifar
Skoðun Fríar máltíðir grunnskólabarna - merkur samfélagslegur áfangi Hólmfríður Jennýjar Árnadóttir skrifar
Skoðun Hvað ef það gýs nær höfuðborgarsvæðinu? Ingvi Gunnarsson,Sigrún Tómsdóttir,Hrefna Hallgrímsdóttir,Daði Hafþórsson skrifar
Er þetta eðlilegt? Guðrún Árnadóttir,Guðrún Tara Sveinsdóttir,Hekla Kollmar,Þorgerður Jörundsdóttir Skoðun